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QUANTUM 326 DIGITAL
MIXING CONSOLE

Own the room with the new generation of Quantum console 

Quantum 326 주요 기능


128 Input Channels
64 Aux / Sub-Group Busses
24 x 24 Full Processing Matrix
LR/LCR/LCRS/5.1 Master Bus
286 Dynamic Equalizers
64 Nodal Processing instances


Quantum 326 

Representing a dramatic leap forward in power and connectivity within a remarkably compact format, Quantum 326 is the younger sister of the Quantum 338.


Boasting a wealth of new design features and enhancements to create ultimate flexibility of use plus the speed of operation that only Quantum can deliver, Quantum 326 is based on seventh generation FPGAs with an entirely new system architecture. The console merges tried and tested workflows with immense processing muscle and bold innovation including a striking new dark mode.


Under The Hood – Ultimate Stadius!

Quantum 326 puts a duo of 17-inch, 1000 nit, high brightness multitouch screens at your disposal, with both the meter bridge and soft quick select buttons displayed on each screen for quick, intuitive operation. In addition, 51 individual TFT channel displays join the floating Quantum chassis with 26 100mm touch sensitive faders laid out in two blocks of 12 fader banks plus two dedicated user-assignable faders, each with high resolution metering.


Superior local audio connectivity and performance comes courtesy of new “Ultimate Stadius” 32-bit ADC and DAC conversion, which is built into the Quantum 326 as standard alongside six single or three redundant MADI connections, dual DMI slots and a built-in UB MADI USB recording interface.


Also included as standard are Mustard Processing channel strips, Spice Rack plugin style native FPGA processing options, Nodal Processing and True Solo.


I/O

With a maximum of 128 input channels with 64 busses and a 24 x 24 matrix, all with full channel processing, Quantum 326 takes built-in console I/O to new levels of performance.


The console’s 8 local mic/line inputs and eight local line outputs all feature 32-bit “Ultimate Stadius” converters, while users have access to 4 stereo AES/EBU in/out, triple redundant MADI in/out (which can also be configured as 6 MADI I/O at 48kHz), dual DMI card slots, support for dual second generation Optocore loops, a built-in UB MADI USB interface and more. Waves connectivity can also be added with a SoundGrid Interface card, adding up to an additional 64 I/O.



DMI 카드 옵션


Quantum 326 : 제품 사양

General Specifications

  • Faders: 26 x 100mm touch-sensitive, motorisedScreens: 2 x 17” LCD high – brightness, high – resolution touch screens
  • Input Channels: 128
  • Busses: Up to 64 Aux / Group busses with full processing Mono / Stereo / LCR / LCRS / 5.1
  • Matrix: Up to 24 Input / 24 Outputs with full processing
  • Control Groups: Up to 24, selectable for VCA-style, Moving fader, Mute Group
  • Internal FX: Up to 24 stereo effects comprising floating point reverbs and delay/chorus/pitch/enhancer
  • Spice Rack: 8  mono / 4 stereo Rack Slots
  • Mustard Proc: 36 Processing Strips
  • Nodal Proc: 64 Nodal Processors
  • Local I/O: 8 x 32bit mic/line I/O, 8 x AES I/O
  • MADI interface: 6 x interfaces @ 48kHz,  3 interfaces @ 96kHz, BNC connectivity
  • Optocore Interface: Optional (dual loop available)
  • Sampling rates: 48kHz / 96kHz
  • GPI/GPO: 16
  • DMI: 2 x DiGiCo Multichannel Interface
  • Waves: Optional
  • Ext Sync: Wordclock, AES, MADI, Optocore
  • Quantum 326 Dimensions: 1124mm (w) x 805mm (d) x 482mm (h)
  • Quantum 326 Weight: 52Kg  (150Kg with flightcase)
  • Quantum 326 Flightcase: 1251mm (w) x 646mm (d) x 1151mm (h)
  • Power Requirements 100V-240V, 50-60Hz, 295VA


Audio Specification

  • Sample Rate: 48kHz or 96kHzProcessing Delay: 1ms Typical (channel, SD Rack input through L-R Buss to Stage Output @ 96kHz)
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 32-bit Converter Bit Depth
  • Frequency Response: +/- 0.15dB (20Hz – 20kHz)
  • THD: <0.002% @ Unity Gain, 0dB Input @ 1kHz
  • Channel Separation: Better Than 120dB: (40Hz – 15kHz)
  • Residual Output Noise: <100dBu Typical (20Hz – 20kHz)
  • Microphone Input: Better Than -128dB Equivalent Noise
  • Maximum Output Level: +22dBu
  • Maximum Input Level: +22dBu

Processing Channel Specification Input Channel

  • Name: User-Defined / Presets
  • Channel Selection: Mono / Stereo / Multi
  • Input Routing: Main & Alternate Input
  • Analogue Gain: -20 to +60dB
  • Phase: Normal / Reverse
  • Digital Trim: -40 to +40dB
  • Delay: Up to 1.3s
  • DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB/Oct
  • HPF: 20 – 20kHz, 24dB/Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-Band)Compressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker:
    Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHzCompressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
  • Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
  • Fader: 100mm Motorised Fader ∞ to +10dB


Processing Channel Specification Aux / Group / Matrix Output

  • Name: User-Defined / Presets
  • Phase: Normal / Reverse
  • Digital Trim: -20 to +60dB
  • Delay: Up to 1.3 sec
  • DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB / Oct
  • HPF: 20 – 20kHz, 24dB / Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-band)Compressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser:
    Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker:
    Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHzCompressor:
    On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn Order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
  • Output Routing: Outputs, Insert A, Insert B, FX
  • Fader: 100mm Motorised Fader ∞ to +10dB


Mustard Processing

  • Preamplifier Tubes:
    Variable Drive
    Odd / Even / Overdrive / Distortion / Crunch / Hi Distortion Presets
    Variable Output Gain
  • Preamplifier Amp:
    Variable Drive
    Odd/Even 1st stage harmonics
    Bias & Saturate control
    Off/Odd/Even 2nd stage harm
    Variable HF Boost
    Variable Output Gain
  • Equalisation: 4 band EQ: Parametric (lowshelf / bell, lower-mid bell / all-pass, upper-mid bell / all-pass, hishelf / bell)
    HPF & LPF 4th order filters
  • Dynamics 1: Classic VCA Compressor / Vintage VCA Compressor / Optical Compressor / FET Limiter
  • Dynamics 2: Gate / Ducker
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DiGiCo가 구현하는 기술은 현재 음향시장의 기술력을 대변하고 있음과 동시에 미래의 음향시장의 개척점에 의심없이 위치할 것이라는 것을, 
그간 DiGiCo가 걸어온 역사에서 기록되어지고 있으며, 입증되고 있습니다. 
DiGiCo는 최고의 퍼포먼스를 요하는 모든 상황에서, 최고의 엔지니어들과 함께, 최고의 사운드를 품고 있습니다.
디지털콘솔의 범주를 넘어선 최고의 사운드기어 DiGiCo를 여러분께 추천합니다.