Own the room with the compact and robust Quantum

Quantum 338을 이은 Quantum 225는 간결하고 단단한 워크스페이스에서 Quantum을 구현 합니다.

Quantum 225는 Quantum 338과 마찬가지로, 3개의 7세대 FPGA를 사용하는 것은 물론 콘솔의 기능을 새롭게 정의한 Quantum의 유산을 물려받았습니다.

아날로그 콘솔을 디지털로 모방하는데 그쳤던 그저 그런 디지털 콘솔들과 달리, DiGiCo는 콘솔 시장을 이끌어 가는 혁신을 가치 삼아 Quantum만이 지니고 있는 워크플로우를 Quantum 225를 통해, 믹싱엔지니어들에게 최고의 툴로 제공합니다.

Under The Hood

Quantum 225는 빠르고 직관적인 조작을 위해 17인치 고휘도(1000nit) 터치스크린을 제공하며, 미터브릿지, 퀵-셀렉트 버튼 등을 갖추고 있습니다. 채널의 정보 및 미터링, 뱅크의 정보, 매크로 등을 확인하여 조작을 안내하는 41개의 개별 TFT LCD와 더불어 100mm 페이더(touch-sensitive) 24개와 미터링 기능을 동반한 유저-어사인어블 페이더 1개 등 총 25개의 페이더를 탑재하고 있습니다. 

뿐만 아니라 마운팅-브래킷을 활용하여 콘솔 서페이스의 좌측상단을 엔지니어의 성향 및 수행하는 작업에 용이하도록 커스터마이징을 할 수 있습니다.

콘솔의 오버뷰(overview) 와 좌측 12개의 페이더로 조작이 가능한 채널의 정보를 확인하여 듀얼스크린 콘솔로 활용할 수 있는 것은 물론, 하드웨어와 연계를 통해, 이머시브 컨트롤을 위한 KLANG:controller, KLANG:app과 Plug-in등의 조작을 위한 툴로 활용할 수 있습니다.

72개의 입력 프로세싱과 36개의 출력 버스, 12 x 12 메트릭스를 갖추고 있는 Quantum 225는 다른 Quantum 콘솔들과 마찬가지로 머스터드 프로세싱, 스파이스랙의 사용이 가능하며, Quantum의 핵심이라 불릴 수 있는 노달프로세싱 및 트루 솔로 역시 지원합니다.

I/O

Despite being a smaller format console, there hasn’t been any sacrifice when it comes to connectivity.

Local I/O: Quantum 225’s local I/O includes 8 analogue inputs, 8 analogue outputs and 2 AES I/O (4 channels)

MADI: Quantum 225 offers 2 redundant MADI in/out at 48kHz, which can also be configured as 4 MADI I/O. At 96kHz this acts as 2 MADI I/O with full channel counts.

Optocore: The Quantum 225 offers the option to add a single or dual loops of Optocore. On each loop, which is 504 channels of audio; there can be up to 14 DiGiCo racks, or a combination of racks and tie-lines around the loop. With dual Optocore loops, that’s 1,008 Optocore channels of audio and 28 racks running.

UBMADI: In addition, the engine has a 48-channel UBMADI, so you can connect any laptop via USB and get 48 channels of recording and playback.

DMI: We have also incorporated two dedicated DMI slots to accommodate the growing family of DiGiCo DMI card options. Allowing the console connectivity to be configured for the demand of the tour or event, you could plug in a Dante module, or the latest automatic mic mixing module. Each dedicated DMI slot provides you with an additional 64 x 64 I/O.

Waves: There is also an option to add Waves connectivity if you want to utilise SoundGrid processing, giving you a 64 x 64 additional I/O.

• Faders: 25 x 100mm touch-sensitive, motorised
• Screens: 1 x 17” LCD high – brightness, high – resolution touch screen
• Input Channels: 72
• Busses: Up to 36 Aux / Group busses with full processing Mono / Stereo / LCR plus a Master
• Matrix: Up to 12 Input / 12 Outputs with full processing
• Control Groups: Up to 12, selectable for VCA-style, Moving fader, Mute Group
• Graphic Eq: 16 x 32-band, Gain +/- 12dB
• Internal FX: Up to 12 stereo effects comprising floating point reverbs and delay/chorus/pitch/enhancer
• Spice Rack: 6 mono / 3 stereo Rack Slots
• Mustard Proc: 24 Processing Strips
• Nodal Proc: 32 Nodal Processors
• Local I/O: 8 x mic/line I/O, 2 x AES I/O (4 channels)
• MADI interface: 4 x interfaces @ 48kHz, 2 interfaces @ 96kHz, BNC connectivity
• Optocore Interface: Optional (dual loop available)
• Sampling rates: 48kHz / 96kHz
• GPI/GPO: 2
• DMI: 2 x DiGiCo Multichannel Interface
• Waves: Optional
• Ext Sync: Wordclock, MADI, Optocore
• Quantum 2 Dimensions: 1124mm (w) x 801mm (d) x 436mm (h)
• Quantum 2 Weight: 43Kg / 95lbs (138Kg / 304 lbs. with flightcase)
• Quantum 2 Flightcase: 1260mm (w) x 601mm (d) x 1141mm (h)
• Power Requirements 100V-240V, 50-60Hz, 255VA

• Sample Rate: 48kHz or 96kHz
• Processing Delay: TBC
• Internal Processing: Up to 40-bit, Floating Point
• A>D & D>A: 24-bit Converter Bit Depth
• Frequency Response: TBC
• THD: TBC
• Channel Separation: TBC
• Residual Output Noise: TBC
• Microphone Input: TBC
• Maximum Output Level: TBC
• Maximum Input Level: TBC

• Name: User-Defined / Presets
• Channel Selection: Mono / Stereo / Multi
• Input Routing: Main & Alternate Input
• Analogue Gain: -20 to +60dB
• Phase: Normal / Reverse
• Digital Trim: -40 to +40dB
• Delay: Up to 1.3s
• DiGiTuBe: Drive 0.01 – 50.0
   Bias 0 – 6
• LPF: 20 – 20kHz, 24dB/Oct
• HPF: 20 – 20kHz, 24dB/Oct
• Insert A: (Pre EQ/Dyn) On/Off
• Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
  Hi Shelf, Hi/Hishelf)
  On/Off
  Freq; 20 – 20kHz
  Gain; +/- 18dB
  Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
  Dynamic EQ On/Off
  Over/Under
  Band On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
   Ratio; 1:1 – 50:1
• Dynamics 1: Single or Multiband (3-Band)Compressor:
  On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
  Ratio; 1:1 – 50:1
  Gain; 0 to +40dB with Autogain Option
  Link; Any Channel/Buss
  Hi Crossover; 20Hz – 20kHz
  Lo Crossover; 20Hz – 20kHz
  Knee : Hard, Med, SoftDe-Esser:
  Threshold : 20us – 20ms
  Release : 1ms – 100ms
  Ratio : 1:1 – 50:1
  Ess-Band : Listen On/Off
   Ess-Band Filter Freq / Width: 20Hz – 20kHz
• Dynamics 2: On/OffGate / Ducker:
  Threshold; -60 – 0dB
  Attack; 50us – 100ms
  Hold; 2ms – 2s
  Release; 5ms – 5s
  Range; 0 – 90dB
  Key; Any Source
  Key Listen
  Freq/Width; 20 – 20kHzCompressor:
  On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
  Ratio; 1:1 – 50:1
  Gain; 0 to +40dB with Autogain Option
  Link; Any Channel / Buss
  Hi Crossover; 20Hz – 20kHz
  Lo Crossover; 20Hz – 20kHz
  S/C Source : Any Source
  S/C Listen : On/Off
   S/C Filter Freq/Width: 20Hz – 20kHz
• Insert B: (Post EQ/Dyn) On/Off
• EQ/Dyn order: EQ/Dyn or Dyn/EQ
• Mute: Channel Mute / Hard Mute
• Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
• Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
   Full Safe
• Output Routing: Buss, Insert A, Insert B, FX
   Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
• Fader: 100mm Motorised Fader ∞ to +10dB

• Name: User-Defined / Presets
• Phase: Normal / Reverse
• Digital Trim: -20 to +60dB
• Delay: Up to 1.3 sec
• DiGiTuBe: Drive 0.01 – 50.0
   Bias 0 – 6
• LPF: 20 – 20kHz, 24dB / Oct
• HPF: 20 – 20kHz, 24dB / Oct
• Insert A: (Pre EQ/Dyn) On/Off
• Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
  On/Off
  Freq; 20 – 20kHz
  Gain; +/- 18dB
  Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
  Dynamic EQ On/Off
  Over/Under
  Band On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
   Ratio; 1:1 – 50:1
• Dynamics 1: Single or Multiband (3-band)Compressor:
  On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
  Ratio; 1:1 – 50:1
  Gain; 0 to +40dB with Autogain Option
  Link; Any Channel / Buss
  Hi Crossover; 20Hz – 20kHz
  Lo Crossover; 20Hz – 20kHz
  Knee : Hard, Med, SoftDe-Esser:
  Threshold: 20us – 20ms
  Release: 1ms – 100ms
  Ratio: 1:1 – 50:1
  Ess-Band: Listen On/Off
   Ess-Band Filter Freq/Width: 20Hz – 20kHz
• Dynamics 2: On/OffGate / Ducker:
  Threshold; -60 – 0dB
  Attack; 50us – 100ms
  Hold; 2ms – 2s
  Release; 5ms – 5s
  Range; 0 – 90dB
  Key; Any Source
  Key Listen
  Freq/Width; 20 – 20kHzCompressor:
  On/Off
  Threshold; -60 – 0dB
  Attack; 500us – 100ms
  Release; 10ms – 10s
  Ratio; 1:1 – 50:1
  Gain; 0 to +40dB with Autogain Option
  Link; Any Channel/Buss
  Hi Crossover; 20Hz – 20kHz
  Lo Crossover; 20Hz – 20kHz
  S/C Source : Any source
  S/C Listen : On/Off
   S/C Filter Freq/Width: 20Hz – 20kHz
• Insert B: (Post EQ/Dyn) On/Off
• EQ/Dyn Order: EQ/Dyn or Dyn/EQ
• Mute: Channel Mute / Hard Mute
• Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
• Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
• Output Routing: Outputs, Insert A, Insert B, FX
• Fader: 100mm Motorised Fader ∞ to +10dB